Transforming popular consumer symbols into materials, deconstructing and reassembling them into wearable body installations. The work turns consumer goods into extensions of the body, while simultaneously bringing the body into the visual context of commodities, forming a display object waiting to be chosen. Shopping bags, originally containers for merchandise, now take center stage by enveloping the body, blurring the boundaries between products and consumers, packaging and content. This inversion points directly to the commodified nature of contemporary "sugar relationships," where interpersonal relationships are transformed into consumer transactions, and intimacy becomes a product with a price tag. When "being selected" becomes a fundamental state of existence, are our bodies also being silently put on the shelf? The call of "PICK ME" echoes like a flashing message on dating app interfaces—an invocation of desire and a candid confession of self-objectification. Within the operational logic of consumerism, self-objectification becomes a survival strategy, while "value" becomes a necessary condition for being seen. When clothing is no longer merely decorating the body, but revealing how the body becomes part of consumer goods in the visual economy, the contrast between body and surface transforms the act of viewing itself into a form of consumption. The viewer's projected gaze and implicit desires are unconsciously incorporated into the work's critical mechanism, becoming the subject of examination. What appears to be a playful approach on the surface actually reflects the intertwined logic of desire and consumption in contemporary society, using deliberately exaggerated product packaging aesthetics to mock the objectification process implied in "being chosen." In the consumption cycle of being constantly viewed, rated, and packaged, are we active subjects making choices, or passive objects waiting to be selected? The commodification of the body and the embodiment of commodities become a critical perspective for examining the consumerist nature of intimate relationships.